Tuesday, 20 September 2011
Locations List
Monday, 19 September 2011
Analysis Of A Music Video
There is a small amount of connection between the lyrics and visuals and that’s the amount it talks about the sky, and in the video he is travelling through the sky, apart from that there is no connection, much like Coldplay’s other video’s, where even the song titles are completely irrelevant.
There are no intertextual references or voyeuristic treatment of the female body. The camera angles are very different too a normal music video, as infact the camera has been placed on a tripod above the floor and doesn’t move throughout the video. This gains a lot of focus too all the amazing amount of detail that engages you into it. Where the main singer of Coldplay, Chris Martin, is such a famous, iconic figure, he doesn’t need a camera focusing on him constantly throughout the video, so the demands of the record label influencing the video aren’t high as he already gains a lot of fame. This is a major part of the video as it has to look like a dream style world that has been created by the movement of pictures. I don’t know if the pictures are animation or have been individually drawn and all scanned in bit by bit to give more of an effect to the video, but either way the detail is very imaginative and creative. The video has been created on a black board style flooring, with a wide variety of stories being told throughout, through a collection of moving drawings and pictures, drawn by pastels. At the end there is a explosion of colour as Chris Martin gets up of the floor and walks off, shakes a few people’s hands and leaves the set, as if what he has done was so easy, just simply lie on the floor whilst
Analysis Of A Music Video
The very first shot that you see is land/beach scene with a group of people in the background, out of focus, with instruments. In the focus you can see a plant slowly blowing, as the focus changes into the group of people the song starts. You then see a extreme close up of a man's face singing, he has a white background behind him, which makes him stand out more. Throughout the video you can see switching between this beach style scene and his face singing. I chose too analyse this video as it's much like our chosen video (Example Stay Awake) which consists of 'Example' singing in a white studio, telling a story throughout. We really liked this idea so tried too find video's with a similar effect too give us ideas and inspiration. More so throughout the video you see the main singer of 'Friendly Fires' join in the beach scene, dancing and having fun. It's a very simple, yet effective video, with not much going on in the background just a group playing instruments. This helps too make him stand out, and give a clear definition that he is the lead singer. The mise en scene doesn't tell us much in the video, and the story that is portrayed isn't relevent too the song at all. This adds mystery too the video, which we want too use in our music video, making the viewers interested too watch it and think about the story behind it. All of the members in the group playing instruments, are in very beachy, casual clothing - very bright coloured and flowy, whilst he is in black, again making him stand out over them. They are also wearing very authentic, cultural masks, that bring maybe their traditional culture too the song. They talk thoroughly about the 'Sun, sea and sand' throughout, which implis the use of the beach as the setting. When the song starts too slow down, and it's the instrumental you see a long shot of a sunset, which is a contrast too the video as it has been sunny right up too here, you then see a close up of a mask with the person's eyes open, and then the silouette character of the lead singer dancing. Te lyrics are 'Could you wave goodbye too sun, the sea the stars the wave the tide, the wails inside that life has died, but all you need is a kiss of life' This is sung after the sunset, and then goes back too life as if you have the kiss off life there is always light in your life. All of the editing in the video is very simple, and there is no animation or added effects, you just see the establishing shot at the start of the beach, then a jump cut too the extreme close up of the lead singer's face, and then back too the beach scene where the lead singer is.
Friday, 16 September 2011
Shooting Schedule
List Of Props
For our props ideas we want too use a variety of stuff that signify the 'Alice in Wonderland' theme. We watched the film twice as a group and noted things that we thought would look good throughout. Where the idea of our video is too mix Wonderland and reality, through the small and simple animation (The recurring white rabbit) we thought that little signs would be better, e.g a road sign that would normally say 'The Crescent' but instead it has changed and it says 'Wonderland' and a man painting a wall red and the paint happens too spill over, onto some white roses. They are just a few example's that we will use.
List Of Props
- Playing Cards
- Keys
- Roses
- Make-up
- Face paint
- Tea Set
- Costumes - Alice in Wonderland
List of Equipment
- 'Dolly'
- Video Camera
- Camera
- Tripod
- Costumes
- Female lead (Alice figure/character)
- Male role to play our singer
- Group of teenagers
Casting List
Our group of 4: Filming/Editing/Set/Costume:
- James Fransham
- Lucy Hyner
- Sam Dempster
- Sabrina Porter
Featuring in Video:
- Lead Male - Roger Dos Santos
- Lead Female (Alice) - Lucy Hyner/Amber Buckle
- Group of Teenagers: Louise Ashena, Lauren Williams, Leigh O'Leary, Jazmine Sines, Michael Kealy, Chidi Abraham, Daniella Murdoch, Charlie Holt, Tommy Bowdery, Sam Goodman, Sam Ibraham, Emma Howard, Chloe Bradshaw, Katie Thompson, Charlie Allison, Scott Middleton, Scott Robe, Kamilla Mcdonald, Kieran Wright.
Conventions Of A Music Video
- Child Friendly
- Up-beat and enjoyable
- Colourful
- Attention to the artist
- The artist being involved in a narrative story
- Strong ideas of escapism
Andrew Goodwin's Theory
Andrew Goodwin has identified a number of key features in music videos. They are:
- A relationship between the lyrics and the visuals, with the visuals illustrating, amplifying or contradicting the lyrics.
- Genre-related style and iconography present.
- Multiple close-ups of the main artist or vocalist.
- Voyeurism often plays a major part, especially in relation to females.
- Intertextual references to other media texts may be present.
Laura Mulvey's Male Gaze Theory
In 1973 Laura Mulvey created The 'Male Gaze Theory' It occurs when the audience are put into the perspective of a heterosexual man, they would then watch the woman simply walking in a music video, but it would be captured in a sexual way that pleases the male. Many people believe that it is wrong that the woman is portrayed in this way, and that it is wrong for the feminine rights, but then others believes it makes them feel more sexy and womanly in themselves.
What are some of the issues involved in discussing "the gaze"?
the objectification of women-- seen as objects
the commonalaity of female nudity -- display implies subordination
internalization of the gaze, changes women's perceptions of themselves and makes them think of themselves as objects
shift to objectification as a source of pleasure (for both the looker and the looked-at)
men as the dominant group have been the looker (the subjects; women the objects)
ties back to another aspect of teh feminist critique of Freud-- the degree to which Freudian theory iis based on visual dynamics
(http://virtual.clemson.edu/caah/women/flc436/mulvey.html)
Mr Brightside - The Killers is a video that shows huge connection and implications of the 'Gaze Theory' they show 'sexual precaustions' and flirtatious movement, to gain the men's attention. Throughout the video the woman are all over the men, whilst they just sit there willingly. This relates to the 'objectification of women' which shows them being 'used' as such, portraying their vunerability.
You see the men's reaction is very versatile, they suddenly adapt to the prominent behaviour of the woman, but still act very relaxed. The womans bulshy behaviour makes them feel dominant, and important. At the same time they are still very stunned by the behaviour of the woman in the video, all just sitting there 'gazing' at one point, as if they are the auidence of a show.
Analysis of Digipak's
For my Digipak analysis I have chosen two completely different Album Cover's, too show the contrast and difference that two different genre styles and music can have. When you look at this album cover by 'Heavy Metal, Metalcore' band you can see straight away the use of what looks like intestines/insides, covered in blood. This automatically creates a link too the style of music being very 'deep' and heavy. The contrast of the colour with the black and white, really make the red blood stand out, making it the important factor in the picture, completely overwriting the woman figure in the image. The name of the band and the name of the album, has been written in a bold style writing, which is a transparent style, this again makes the blood stand out more. The point of the woman holding the blood, is because many of 'Bring Me The Horizon's' songs are very related too blood, and death. The womanly figure looks very gormless and fixated, with her eyes wide open looking straight at you, it actually makes you feel like she is staring at you, which is another way of them too yield the buyers into buying the album as the focus really stands out. She is dressed in black which is for the contrast of the blood, and showing her as a simple figure.
Bombay Bicycle Club - Flaws
Front Cover
Back Cover
When looking at this digipak, you can see straight away the faded, subtle, vintage colour scheme. It is very neutral with the skin toned, pastel coloured pinks and blues. The layout design is very simplistic, with the painted style background with the brush strokes quite obviously painted on. The font of the text is again minimalistic, just a simple san serif type and it is only ever in either black or white, which helps it stand out. It's a type writer style writing, that's very unique and again obtains a vintage effect. The minimalistic style of the cover, font and colour scheme, relates too their folk style of music, this again could be how the band want to be perceived, simple, basic and meaningful. The mise-en-scene shown is once again very simple, there is not much going on, but the main focus of the images on the front and inside. Both of the shown images are paintings of humans, the front cover's main image, is simply of a girl looking down. She doesn't look particularly grabbing or smiling, but less dull and bleak. This portrays the mood and vibe of the c.d, if an image of a lady happy and smiling was the album cover, it would give the wrong impression of the c.d. The image shown inside is of somebody kneeling, with the focus on their feet. This picture has alot of mystery as you don't know the story behind it. I think that both paintings suggest the relaxed, down to earth nature of the music. The back and inside contain all the designated information needed, such as barcode and record company logo.
Monday, 12 September 2011
Music Industry
Target Audience
Sunday, 11 September 2011
Intertextuality in music video's
Analysis of similar media products - (3 music video's)
We are focusing on the idea of an imaginary world, a mix of the surreal world combining with our everyday lives. We watched a variety of music video’s for a sense of imagination and ideas as we were very clueless of where to start, and what idea we should use. We was going too look into creating a emotional music video, but they are a lot more popular and a large majority of the class was doing them, so we thought of a different idea. We was thinking a comedy, but the fact of making people laugh, and being funny isn’t easy, and if your not good at it then it wouldn’t have worked. We looked at Coldplay’s video’s mainly, focusing on their imaginative and vivid ideas, and how they can have so much going on but it doesn’t take the focus of the lyrics – which we hoped to include in our video’s.